Why am I suddenly interested in film photography? I'm not quite sure.

Earlier this week, I read this essay by Nathan Jones, entitled "Why Film Matters".


I'll quote the author here:

"The essential nature of the digital image is that it is easy to make, ephemeral and disposable. Rational people generally regard things that have these qualities as having no value."

"The medium is the message. And the message of the digital image is that it is not worth anything. This is not a good starting point for anyone venturing seriously into photography."

"Think that this doesn't apply to you? Then ask yourself these questions: How many images have you deleted directly from your camera before even transferring them to your computer? Are all of your digital images backed-up? How much are you willing to pay for this back-up on a per images basis, or to transfer your digital images to print? Does the capacity of everyone everywhere to make limitless perfect copies of any one of your images raise or lower their value? Does your own capacity to make thousands of images essentially without cost make you a more or less careful photographer?"

Tonight, I went to a musical performance with a full orchestra and a mass choir. But I was constantly distracted by the sound of a DSLR shutter. This photographer was standing in the back of the auditorium with a tele lens, taking a picture every 5-10 seconds. During the quiet parts of the music, it was ridiculously distracting.

I was annoyed by how loud his camera was in a quiet room, but (as an amateur photographer) I was more annoyed by how many photos he was taking. I couldn't help but think of the essay I had just read. How valuable are those photos he just took? Is even HE going to care about them? If he emails the photos to every member of the choir, how much time will those people spend looking at the photos?

I find myself doing something on Flickr, but even more often on Facebook. I'll open a folder of 100 photos, and spend about 2 seconds looking at each of them. Wouldn't it be better, I find myself wondering, if that person had taken 5 good pictures instead of 100 mediocre pictures?

I think the digital photography medium creates a mindset in people: we think to ourselves, "Every second that I'm not taking a picture is a waste of this beautiful camera. And I don't have to worry about what's good, I'll figure that out when I'm sitting at home on the computer." That makes us lazy photographers who take 1,000 pictures in a day in the hopes that at least a few will be good.

I'm shooting with a Pentax K1000 these days. It's an all-manual 35mm film SLR.  I think mine was made in Hong Kong about 1985. At the time, it was the "cheap", "student" model of Pentax cameras. I'm absolutely in love with this goofy camera.

I have noticed three interesting things about how people react to me.

1) Yes, a lot of people say, "Isn't it expensive? Why don't you just use a DSLR?" But a lot of people seem genuinely fascinated to see someone using a film camera. One of my friends told me, "Is that a film camera? It's charming!"

2) People who don't realize I'm shooting film always say, "Can I see that?" I hand them the camera, and they realize that it's not digital. What they wanted to see was the photo I just took, on a crappy 3 inch LCD screen. Why?

This is the instant feedback desire. We feed it without thinking about whether or not it's good for us. Smartphones, fucking iPads, the whole Internet rewards this reaction. "Bored? How about downloading a game, or looking at some news headlines?"

Have you ever been working hard all day, skipped lunch, been really, REALLY hungry, and then sat down to a nice dinner? How much better is that meal than a meal you eat when you're not really hungry? It's amazing.

I'm starting to feel that way about photography. I LIKE the fact that I can't see the photo I just took. I like the fact that it cost me money to take that picture. When I do see it, probably a few weeks from now, I'll be in a position to actually appreciate it for what it is, instead of just glancing at it for a moment.

3) People are often annoyed by the fact that it takes me about 5 seconds to select an aperture, select a shutter speed, manually focus, frame the shot, hold the camera steady, and shoot. Again, it's like we think we should just take 10 photos and see which one looks good, instead of taking one photo that you KNOW will be good.

What do you think? Am I a Luddite? Am I just fighting a losing battle against technology? Or do I have a point? Is there something inherently valuable about an image captured on a physical medium, that actually costs me money to take, and that I had to put some real work into creating? Is there something inherently valueLESS about an image capture in a digital file, that will almost certainly only ever be viewed on a computer screen?

5 comments:

  1. When you start in a major of photography, you're required to start on film (more specifically, I actually had to take slides in my first class). You then learn how to develop black and white film and make your own prints. Photographers have a sense of nostalgia when it comes to film. Do I think one is better than the other? Not really, unless I were to have my own dark room. It's the actual art of making your own image that draws me in to film but I no longer have the time or resources to do it old school.

    As for the quality over quantity, I see your point. But, if there are people in the world who own a DSLR and don't understand the science of taking a well-lit, well-framed photo, then they're not the people who would be interested in film to begin with.

    So, keep on with balancing between aperture and shutter speed. Play with the depth of field. But, for me, I wouldn't trade me DSLRs for anything (except maybe a nicer one).

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  2. I have some ideas about where I want to go with my photography in the future. Doing my own darkroom prints is definitely one of the major steps that I'm looking forward to.

    I was watching a documentary about Ansel Adams. I remember seeing Ansel Adams prints on the walls of A Taste of Italy, my favorite restaurant in the world circa 1991, and being amazed by them. In the film, they showed two different prints of the same photo. Both of the prints were done by Adams in his own darkroom, but the second one was made about 20 years later.

    I was amazed at how different those two prints were. Both made off of the same negative, but they looked different, and the "feeling" was very different.

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  3. Hi Greg! Tess here.
    This post is really good, it's really cool that you're getting into proper photography!!
    In film school we shot our first projects on 16mm then spliced and taped the frames. We even hand processed, tinted, scratched and sharpie'd the film.
    I've shot 8mm, 16mm, B&W, colour and even a very expensive 35mm reel.
    What someone needs to do in order to make an image even expose is a lifetime of work (and even more knowledge)
    The product is an outrageously beautiful and timeless image that you can't believe you had any part of creating. (that or 90 seconds of completely underexposed garbage!)
    The next years we were offered the chance to shoot HD video. Although we all loved the look and feel of film, we loved the cost of video.

    But the difference in the images that we were able to capture AFTER we learned from( failed at, finally understood and awesomely admired) film were completely different to what we had shot when all we knew was the record and pause buttons. Our focus on lighting, aperture, focal length, frame rate and composition were in no way comparable to when that digital camera was just a fancy recording machine.

    I think that it is incredibly important for you to continue using film both for your personal growth (by experimenting the way that you mentioned, like hand processing) but especially for the sake of the medium. So that people can always understand and appreciate the differences between a photograph and an Instagram of your spaghetti Bolognese.

    I think what you're doing is frigging fantastic!
    But consider that the next time YOU pick up a plain-jane sony digital nonsense-cam the photos won't be useless fodder, but instead will have become entirely transformed because of the picture taker, and not the picture maker. And as for quality vs quantity, you'll have curated, cropped and coloured your prints to leave any of our peckish eyes hungry for more.

    As for poopooing the digital medium-
    Besides the initial price (for some DSLRs, which can be mind-blowingly more than you'll ever pay for all the prints in the world) the idea of costless shooting can be very appealing to the financially strapped.
    Just because you pay for something does it inherit worth? Does cost create value? Probably not. Does time, effort, knowledge and real human thought create something worth mentioning?

    Don't worry thought, I'm sure whichever medium you use your friends will still be equally annoyed by your persnickety fiddling, metering and reframing.

    Viva la Film!
    Viva la Foster!

    ps. Here's a cat I know. Equally well shot? Debatable. Equally cute? YOU KNOW IT.

    http://www.flickr.com/photos/tessmarie/5219907583/in/set-72157624775573818
    http://www.flickr.com/photos/tessmarie/5220493524/sizes/l/in/set-72157625498413442/

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  4. Hey, Tess! I just wanted to tell you that I read, and really appreciated, your response to my "Why am I suddenly interested in film photography? I'm not quite sure." blog entry. Thanks!

    Reading it again a month later, I think I focused too much on what annoys me about the digital medium, and not enough on why I think film is awesome.

    I really want to shoot black and white film, and learn how to do darkroom prints, because I think film is amazing and I want to be part of another generation keeping it alive.

    My annoyance with digital is really based on our habits. Cell phones are awesome, but isn't it annoying when you're having coffee with a friend and she's more interested in her smartphone than your conversation? I'm really working hard to fight that kind of behavior in myself, and then (hopefully) to take that fight out into the world.

    I realize that it's much more valuable to fight for something you believe in than against something you think sucks. So I'm trying to do things that make me slow down and see the world with an open mind, and I want to take that new attitude and share it with the world.

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  5. I don't think you are a Luddite and think you are absolutely correct in your thinking about instant feedback, I know I am guilty of it.

    Now I don't know much about photography, except for that photography class I took in middle school (I still think about the beautiful burn in my nostrils from the chemicals in the dark room from time to time), but I do know a thing or two about instant gratification. I think it is a good thing to combat the urge to have it now, instead of having it better later. The example you used with dinner and lunch was spot on.

    I hate that everyone has a camera these days, I am not a fan of getting my picture taken and people sometimes get upset that I refuse. I despise that people text and drive, I hate when I am throwing a party and someone unplugs my music to plug in theirs (without asking), and unless your momma is dieing that call can wait until we are done eating. The better technology gets it seems the ruder we become.

    Fuck it, I becoming a pre-MySpace Quaker... No new technology starting after 2002. Now is the start of the Neo-Luddite revolution my friend.



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